敕使河原宏+安部公房+武满彻加缪《满江红》存在主义哲思;性隐喻镜头抚摸皮肤的质感画面让我想起了雷乃的《女朋友的第一次》;面具人打鼓配乐下的众人围观春宫图简直扣人心弦——“Who caresWe’re living like animals anyway”不愧是受布努埃尔影响且自身又学习油画和插花的导演影片具有迷幻色彩而且黑白摄影真好看色YEYE香蕉凹凸一区二区-特别是拍裸体的画面
很遗憾这部纪录片实在是有些流于表面它更像是讲述而不是探究 “I ask no favors for my sex… All I ask of our brethren is that they will take their feet from off our necks. ” —Sarah Moore Grimké, activist for women’s suffrage, 1837