I was expecting something properly controversial here with all that fuss, instead I saw the safest, perhaps most unoriginal way of making fun of the Nazis. Scarlett Johansson's character, with a perception that's clearly modern and new, is completely out of place. The entire Nazi environment depicted in the film was made up purely of the writer's tabloid, superficial (mis)understandings of Nazism. Filled with hackneyed symbolism and plain kitsch, there's absolutely nothing bold or adventurous in this film (the only 'good' nazi has to be a gay, how surprising). Anyone who says this film works against political correctness doesn't know the first thing about contemporary politics.
在无力的悲剧面前再沉闷的冗长都不会显得多余…我只能说Sidney不该有那样惨烈的结局…他从头到尾只做过一件错事给我免费播放片高清在线观看就是背叛且欺骗melody但那也不至于要他眼睁睁看着mel死在自己面前啊幽暗的电梯里看着无法呼吸的爱人一点点失去意识她的脸颊还是湿的她的泪在他手心里还是温热的可她还是一点点冷下去了…这一幕会给Sidney带来多大的愧疚和冲击比起同学的自杀mel的死简直压垮了他是啊谁能承受这样巨大的负罪感和痛苦呢他又是那样敏感的作家我不喜欢这样的阴郁从一开始就是三个年龄段的悲剧同时展开就表明了结局的惨烈、笃定太可哭太可恶了 when you are finished falling in love with me, you know where the door is.